KAKIE of Goju-ryu Karate (Pushing Hands)
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Goju-ryu Karate’s KAKIE Morio Higaonna composed and performed the song. This is a video of Kakie practicing pushing hands in Okinawan Karate techniques.
I couldn’t locate a description for the film, so I just googled “kakie explanation.”
Definition of the Kakiea form of hand/arm workout and its accompanying applications, which are usually employed in close combat.
Also useful for increasing strength, control, and muchimi.
Muchimi is defined as “heavy/sticky yet still flowing” (a desirable feature of many techniques)
Kakie are from Naha/Shorei.
Kakie is derived from the Chinese Chi Sao and refers to persistent physical contact with a partner while resisting and pushing back the opponent.
The task’s fundamentals are straightforward, yet it teaches conditioning, timing, and body mechanics.
Because of its proximity to Okinawa, the Fujian area is the geographical origin of most karate styles.
In the case of Goju-Ryu, it was particularly Monk Fist (Luohan Quan), Crane Boxing (He Quan), and Tiger Boxing (Hu Quan) that shaped the image of Goju-Ryu as it was gradually established by Kanryo Higaonna and Chojun Miyagi.
The beginning point is qinna, which means ‘grappling’ or’seizing’ and is at the foundation of Chinese self-defense techniques.
This qinna is manifested in ritual form kata, in which each step relates to applications or bunkai in simple (basic) or more intricate and free forms (oyo bunkai).
Kata is the basis of energy traits like as grounding, rooted, creating power, tension and relaxation, centring, and so on, in addition to understanding of self-defense skills.
In summary, all of the abilities required for movement in general and self-defense in particular.
It is apparent that the origins of Okinawan karate and Chinese martial arts – with kata as the paradigm – were of a holistic character, in addition to self-defense, due to the considerable interest in Chinese medicine and philosophical and spiritual traditions.
Partner exercises (gyaku-te in Goju-Ryu) with qinna form the foundation of kakie (‘kokie’ in the Fujian dialect), one of Goju-strongholds. Ryu’s
Goju-Ryu is distinguished by its concentration on close-combat warfare.
The karate-ka learns the go-aspects of grounding, absorbing strength, utilising muchimi, and ki-expansion in basic kakie.
Aspects that are also highlighted in the sanchin kata.
In this phase, the karate-ka learns to utilize pushing and pulling techniques to out-balance his opponent (kuzushi waza) and make the combat distance suited to himself.
Various ways for locking the opponent’s arms (or legs) and ‘opening up’ the important parts of the body follow (kyushu-jutsu).
After understanding the fundamentals, the kata’s applications are merged into kakie.
Fighting methods taught in kakie, like many bunkai kumite, are known as ‘gyaku-te’ and are classified into categories such as kansetsu waza (joint manipulation), nage waza (throwing techniques), shime waza (strangulation’s), and kyusho waza (manipulation of the vital points).
Kakie training is incorporated into the whole program.
As soon as a solid foundation of fundamental techniques and skills is established, kakie training becomes increasingly free-form, culminating in jiyu kakie iri kumi, the free-fight exercise and competition-form of Goju-Ryu. illustrations of methods from the Bubishi kumite and
Many kakie and bunkai methods may be traced back to the ‘Bubishi,’ an old Chinese treatise describing martial skills.
The classic kata of Goju-Ryu represent the alpha and omega of karate-do because of the understanding of gyaku-te with kakie as a practical workout form and the dynamic attributes of movement.
Many karate-styles have abandoned their original martial and spiritual focus due to the influence of contemporary competitive karate (WKF) and the desire for international status and recognition.
As a result, kihon, kata, and kumite of these’modern’ forms have dissolved and evolved towards the direction of what scores and is permitted in competition.
The lack of knowledge of actual fighting tactics, as well as the spiritual vacuum that has developed in these contemporary systems over the previous few centuries, has caused many karate-ka to reorientate(d) themselves towards the profound fighting traditions of Fujian and Okinawa.
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