Caleb Pike – SONY A7 III VIDEO GUIDE

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The Sony A7 III is undeniably one of the most popular mirrorless cameras on the market this year, with filmmakers all around the world using it. Not only does the camera hit a price-performance balance unlike any other on the market, but it also gives the highest video quality for under $2,000.

While the A7III camera body may be sufficient to begin filming right away, many people advocate acquiring extra equipment to help you build up your camera rig in a way that best suits your filmmaking style. Caleb Pike of DSLR Video Shooter proposes an extensive list of accessories to add to your A7III in the video below.

If you’re searching for a good all-purpose non-Sony lens to use with the A7III, the Tamron 28-75mm f/2.8 Di III RXD appears to be a good choice. This lens may be pricey for some at $800, but many pros believe it is worth it because of its exceptional clarity and continuous f/2.8 aperture.

Many Sony shooters utilize Canon lenses on their Sony cameras with the help of an attachment such as the FotodioX Fusion ND Throttle Auto Adapter. Not only can you attach the Canon lens to your A7III, but it also has an incorporated variable ND filter. This is incredibly beneficial when photographing outside in harsh light. Keep in mind, though, that the adaptor is not cheap, costing around $190.

Needless to mention, batteries are among the most fundamental A7III accessories. However, obtaining authentic Sony power units (NPFZ100 type batteries) has proven to be extremely costly. Having said that, DSTE is a third-party producer that provides long battery life while keeping the expense of purchasing extra batteries low.

Additionally, if you want to increase your shooting duration without using extra battery packs, consider purchasing an External Battery Grip. The grip in the video is not from Sony, but rather from a firm named Meke, which produces high-quality camera accessories for devices like the A7III.

The recommended battery grip, which costs $120, not only enhances the ergonomics of the A7III but also has a battery compartment on the side that enables for quick shifting without having to remove the camera from your setup. Furthermore, the grip can accommodate up to two batteries, doubling your shooting time.

Consider getting the Power Junkie to help power your other camera accessories. This crowdfunded piece of gear is essentially a battery plate that can power various accessories through a DC cord, USB A, USB Micro-B, and USB-C connection. The tiny machine is powered by Sony NP-F type batteries and can power numerous devices at the same time. You may use the Power Junkie to power your camera as well as accessories like the RodeLink Wireless Filmmaker Kit.

Camera cages are another must-have for your A7III. Caleb suggests two SmallRig support systems for the gadget that are high-quality, durable, and stylish. Furthermore, SmallRig manufactures an A7III camera cage model that supports a battery grip for those who utilize one on their own systems.

The video highlights the 5′′ SmallHD Focus – one of the most popular field monitors used by both hobbyists and pros in the business – for camera monitors. This device’s straightforward UI and crystal-clear 720p monitor make previewing and framing your photographs a breeze.

While SmallHD’s service is unquestionably popular, its $500 price tag makes it tough for inexperienced and low-budget filmmakers to swallow. In that scenario, the Sokani 5-inch On-Camera Monitor is an excellent $300 option. In a previous piece, we discussed its outstanding functioning and features.

If you frequently use the Electronic View Finder (EVF), you might want to have a look at the G-Cup EVF Eye Cup. Its broad, flexible design allows you to see your photographs through the EVF comfortably, even if you use glasses. The eyecup’s structure is nevertheless soft enough to pull out and orient the on-camera screen if necessary.

In terms of audio accessories, the Beachtek DXA Micro Pro – a multichannel pre-amp that can give greater audio quality than the A7III’s inbuilt pre-amp – is worth considering. For $144, you get a toughly made, compact audio powerhouse with all the connections you need to record professional-quality audio. An XLR Mic Input jack with phantom power and a monitoring connection are included.

There are numerous adjustable knobs on the front to modify mic gain and headphone monitoring levels, which add to the pre-value. amp’s This allows you to accurately preview your audio on stage and nail your sound on the go.

Rode’s microphone choices are typically a reasonable alternative for most amateur filmmakers. If you’re searching for a more affordable option, Azden’s SMX-15 costs roughly $180. Aside from its inexpensive price, some consider the SMX-15 to be a microphone capable of recording superior audio than the long-lived classic, the Rode Video Microphone.

Aside from high-quality audio, the SMX-15 includes various features that improve the microphone’s working experience. This includes being powered by simple AA batteries and being able to automatically turn on and off based on whether or not the camera is turned on.

Finally, if you require a good pair of monitoring headphones for your shoot, the Sony MDR-7506 is a popular choice among film and professional sound mixing experts. The MDR-7056 is a pair of headphones to take in your backpack for all your video shoots, thanks to well-balanced acoustics and a pleasant, strong design.

Overall, the Sony A7III is an excellent camera in its own right. However, with the correct attachments, you may construct your own A7III setup that is tailored for your production workflow. While the goods mentioned above are among the best on the market, it’s always a good idea to browse farther and locate the bits and pieces that will precisely fit your individual filmmaking demands.

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