Ian McIntosh – Intro To Synthesis
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Introduction to Synthesis
How to design, tune, and generate sounds with any synth – software or hardware.
Discover sound design and synthesis secrets you’ll use for the rest of your life (in music).
What if I told you that everything you need to know to build an outstanding pad sound, a beautiful piano sound, a powerful synth bass, or a blazing lead starts with the same fundamental knowledge?
What if that same foundation provided you with the knowledge and expertise to begin learning how to employ compression in the studio, eq for live sound, and comprehend critical parts of audio mixing?
Consider learning that core information in roughly 2 1/2 hours.
It may be difficult to believe, but it is true. Many of the principles you’ll find in studio production, live audio production, and other areas intersect with what you’ll need to know to generate wonderful sounds on your keyboard. The notions of synthesis and sound design are universal and may be applied to any genre, approach, or style of music. The same technology that is required to make a filter “zap” is required to make a compressor sing.
And now I’d want to share that expertise with you…
INTRODUCTION HOW TO CREATE AND MODIFY SOUNDS IN ANY SYNTHESIS OR SOFTWARE
What you will find inside:
Background information
You’ll get a fast overview of synthesis history and why it’s vital for understanding contemporary synthesizers and software. The reality is that practically all current music technology derives from this era, so properly understanding the background of what we’re doing is critical.
Clarity
One of the most common answers I hear from this class’s students is, “I pushed the edit button on my keyboard… and truly comprehended what I was seeing.”
Consider never being perplexed by settings on your synth, keyboard, or software again.
A global procedure
You’ll learn the technique and flow that allows you to create almost any sound ever – in any piece of software or instrument. Whether you grab an old Juno, open Omnisphere, or press “edit” on a Kronos, you’ll know precisely what to do next to produce the right sound.
Examples that are very helpful.
Too frequently, we are given examples that are ineffective.
“What exactly is a filter?” “LISTEN TO THIS SPACESHIP NOISE!!!”
When the truth is… that’s not going to help. I provide you samples and demonstrate how to create sounds that you’ll actually utilize.
What our pupils have to say
“You’re not going to get ambiguous theories – Ian.” You are receiving practical, useable information that will be immensely valuable if you put it into practice.
Weeks, Shannon
Student at Synth University
“Through Ian’s instructional materials, I have learnt more in the last year than I have in the previous six.” His attention to detail and extensive expertise are unparalleled!”
Adkins, Devin
Student at Synth University
“Ian has a talent for breaking down complicated things into manageable chunks and presenting them to others in a simple and enjoyable manner.” I’ll keep subscribing to everything Ian creates in the future.”
De La Sorte, Nick
Student at Synth University
My name is Ian McIntosh.
Jesus Culture’s producer and keyboardist, as well as the founder of Synth University, where I teach keys and synth players how to master synthesis, sound design, and audio software.
I achieve this using my In Context Training approach, which I use here at Synth University, to help you create better albums, better sounds, and more stunning sequences and arrangements.
Intro To Synthesis (one of several workshops accessible inside Synth University) is responsible for enabling hundreds of keyboard/synth players, producers, and sound designers just like you finally feel secure in – their synthesizers.
-Without it, you waste time twisting knobs, experimenting with every possible option, and watching meaningless YouTube videos about sounds and genres you’ll never use…
With it, you open the door to seamless sound design and endless possibility.
Now, go ahead and make something!
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